The
performing arts of Kerala
Classical
and ritual arts of Kerala
Cherumarkali,
is a harvest dance in which dancers, both men and women, move in a swift rhythm,
linking arms and donning red and white costumes.
Chakyarkoothu,
also known as Koothu, is one of the oldest classical theatre arts of Kerala.
This is a solo dance performing at the koothambalams of temples
with instruments like mizhavu and elathalam.
Koothambalams are special stages set apart in temple compounds for the
performance of temple art-forms. The performance begins with an invocation to
the presiding deity of the temple. The narration is enlivened with the thandava
dance movements, gestures and facial expressions developed according to the
rules of the Natya Sastra. Koothu is noted the way the artist takes digs
at current events and personalities, adding to its dramatic character. Any theme
can be presented under this art. The costume is colourful, bordering on the
bizarre, with a strange headgear.
Kaalavela:
This is a folk art, noted for the procession of huge, colorfully decorated
images of bulls.
Kalampattu
also called Kalamezhuthu
pattu, is an ancient folk-artform of northern Kerala. This 600 years old artform
is performed by a group five to fifteen people in Bhadrakali and Ayyappa
temples. The ritual is performed around a kolam - an elaborate picture,
usually of goddess Bhadrakali, drawn on the floor with five colors, and under
the light of blazing torches. The singers are neatly dressed, the women wearing
their hair on the side of the head. A series of special songs, kalampattu,
are sung to the accompaniment of nanthuni and elathalam, two
traditional musical instruments.
Kaliyoottu:
An eight day long colorful folk ritual which re-enacts the mythical combat
between goddess Durga and the demon Darika. This folk ritual has various stages.
On the last and eight day, a ritual called Paranettu - is performed on a
specially designed 100 feet high stage on which both the actors work themselves
to a frenzy for the climactic end.
Kanniyarkali:
A ritual art form with swift dance performed to the accompaniment of
devotional folk songs and resounding beats of drum. Usually performed in Bhagavathy temples.
Kavadiyattam:
A ritualistic dance in Subramanya temples. The devotees wear colorful dresses. Kavadis are
colorful bow-shaped wooden structures from six to ten
feet tall, carried on their heads by the dancers. The Ambalakavadi is
looks like and is decorated like a temple. The Pookavadi has stuck to it bunches of
colorful paper, cloth or plastic flowers. The resounding beats of percussion instruments like udukku and chenda and that renowned wind instrument of south
India, the nagaswaram, characterise the a kavadi procession.
Kolkali:
A group dance of
the farming communities in Kerala. Twelve to twenty four dancers move
rhythmically in a circle around the ceremonial lamp, tapping together the two-feet long
wooden sticks that they hold.
Krishnanattam:
A ritual dance in honor of one of the most famous gods of the Hindu pantheon,
Sree Krishna. This group performance, based on the Sanskrit
text Krishna Geetha, spans over eight nights. A dance with great
importance for movements. The costume and makeup of Krishnanattam bear traces of
resemblance to Kathakali and folk arts like Thiyattam, Mudiyettu and Theyyam.
Musical instruments like maddalam, elathalam and chengila lend flavor
to the performance. Krishnanattam is
an important dance performed in the Guruvayoor temple.
Kummattikali:
It is a temple art, also known as
the mask dance.
Kumbhamkali /
Kumbhamthullal: Folk
ritual dance of devotees of Lord Krishna, who carry pots on the head.
Kuthiottam:
A ritual exclusive to Devi temples
of South Kerala. A group dance with songs including those in praise of goddess Durga and other deities, padapattu
or war songs and kalaripattu or martial songs. Instruments used are mainly percussions, ganjira, bells and chaplankatta.
Faces decorated with paints and red curtains are used as partitions on the
stage, to enhance the frightening effect.
Mamangam:
This huge and wonderful festival is a replication of the cultural
extravaganza that used to be held every 12 years by the Zamorins (ancient rulers
of Kozhikode) in the middle ages.
Royal families, principalities and chieftains from all over Kerala used to
participate in this great cultural event which was held on the grounds of the
Thirunavaya Navamukunda Temple at Ponnani in the present day Malappuram
district.
Thiruvathira:
This beautiful
dance is usually performed on specially put up stages in connection with temple
festivals. The costume is the traditional white mundu and melmundu of Kerala.
The hair is gathered and put up at the side of the head and adorned with jasmine
flower
Mayilnritham /
Mayilattom: Peacock
dance
Oppana:
A Muslim bridal group dance
performed the day before the wedding day.
Padayani:
This colorful ritual art is symbolic of the victory march of goddess
Kali after she defeated the demon Darika. The
art form has some resemblance to Theyyam.
Patakam:
This art form is very
similar to Koothu on gestures and movements, but the narration is through prose
and song sequences. The costume is predominantly red - a red head
dress and a red silk wrist band. The performer also wears heavy garlands around
the neck and thick lines of sandal paste smeared across the forehead. Patakam is also
performed outside the temples.
Poothamkali:
A folk art commonly performed in the Bhagavathy temples of Malappuram.
Pootham is the character who accompanied Durga in her combat with Darika.
The performers, usually three in number, undergo a week of austerities before the
presentation. Colourful and intricately designed face masks carved out of the pala
and murikku trees are the highlights of the attire. The fifteen minute
performance starts slowly and works up to a frenzy towards the end. The thudi
provides rhythm to the dance, performed at night.
Pulikali:
Also known as Kaduvakali, it is a
traditional art form in Kerala during festive seasons. Performers paint their bodies in bright yellow, red and
black spots and lines to resemble tigers, and dance to the loud beats of percussion
instruments like udukku and thakil. It
is a common art form during Onam season.
Sarppa Pattu:
This snake dance is performing to satisfy the snake
gods.
Thattumelkoothu:
A devotional dance performed on a special platform carried around
the temple by devotees, even as the performance goes on.
Theyyam:
The most outstanding of
the folk
arts of Kerala, especially in the northern regions. Also called Thirayattam, (because every thira or village performed this ritualistic art at
the village temple). This primitive ritualistic art demands long hours of
preparation. The Theyyam or Kolam,
represents a mythological, divine or heroic character. There are over 350
Theyyams in northern Kerala. The hood, headdress, face painting, breast plate,
bracelets, garlands and fabric of attire of each of these kolams are distinct
and meticulously crafted according to the character presented. The instruments
used are chenda and veekuchenda
(drums), elathalam and kuzhal (horn). This art form is mostly performed in
Bhagavathy temples. Performances are carried out between October and May. Thira is the
major subdivision of Theyyam.
Thidampu Nritham:
700 years old ritualistic
art form of north Kerala. The dancer moves to the rhythmic beats of the chenda
carrying the thidampu on his head. Seven artists accompany him on percussion
instruments while two others hold aloft the ritualistic lamps. The artists wear
lots of jewellery and a
decorated turban known as Ushnipeetam.
Thiyyattu:
A devotional offering to
Bhadrakali and Sree Ayyappa. The performance usually starts at dusk. The artists
sing and dance to the rhythmic music of the chenda, elathalam and chengila.
Tholpavakoothu:
This art originated in the 18th
century. Also known as pavakoothu (puppet play) or nizhalattam (shadow play). An art
of entertainment, is performed on the special stage called koothumadam in the temple
courtyard. Puppets (pavakal) made of deer skin, usually representing four characters from the
Ramayana, are arranged behind a long white screen, in front of bright wick
lamps. The puppets are made to dance to songs from the Kamba
Ramayana (the Tamil version of the epic). The performance starts late at night
and extends till the morning.
Thullal:
Another version of Koothu and is
characterised by simplicity of presentation, wit and humour. The inventor of
this art form is Kunjan Nambiar. The dancer himself sings the lead to the
accompaniment of the maddalam and elethalam. The three forms of Thullal are -
Ottanthullal, Seethankanthullal and Parayanthullal. Very colorful costumes.
Vadithallu:
Resembling Kolkali, a folk dance
performed holding short sticks in both hands.
Velakali:
A most elaborate and spectacular
martial folk arts of Kerala.. Fifty or more performers in the traditional attire
of soldiers, bearing colourful shields and swords or long canes, dance with war
like steps in perfect orchestration to the resounding beats of the thakil,
suddha maddalam, elathalam, kuzhal and trumpets. A few fighting techniques of
Kalaripayattu are also displayed in the course of the performance.
Koothambalam:
Specially decorated hall
in the temple premises meant for ritual and art performances
Koothumadam:
A
stage specially erected for certain ritual and art performances in the temple.
Temple
Music systems prevailing in the state
Pancharimelam
/ Pandimelam: The traditional temple percussion music accompanying almost all art forms.
Panchavadyam:
The traditional temple music
accompanying processions and pageants. The five instruments are chenda; kuzhal;
edakka; elathalam, timila.
Important
Rituals in the State
Ammankudam:
A ritual dance of devotees carrying holy pots on the head as offering to the
goddess. Usually performed in Bhagavathy temples.
Arattu: A
ritual connected with the end of a festival. The idols of deities
are carried in procession to the river, where they are bathed. The purified idols are then escorted
back to the temple in procession accompanied by caparisoned elephants,
panchavadyam, nadaswaram and chendamelam.
Chandanakudam:
Ritual offering of coins
in earthen pots, in Muslim shrines . The pots are smeared with sandal paste, mouths
covered with white cloth, with a garland around the neck and three incense
sticks stuck into the cloth covering.
Chuttuvilakku:
Thousands of oil lamps fixed on the outer walls of the temple are
lighted.
Ezhunnallathu:
Ceremonial procession of the idols of a temple. The procession usually comprises
various cultural art forms, traditional temple music and elephant pageants.
Kodiyettam is the ceremonious flag hoisting ceremony denoting the beginning of
the festival or festive season in a temple, church or mosque.
Pallivetta:
Symbolic of Lord Vishnu hunting down the demon of evil in a forest. The
colourful procession attracts
devotees in large crowds.
Paraveppu: A ritual performed in
many
Hindu homes as part of a festival. The Para (wooden/ brass measure) heaped with paddy is arranged in front of the house along with lighted lamp and other
offerings like fruit, jaggery and so on. The offering is collected by a procession
of elephants carrying the thidampu (idol of the deity of the temple)
Pongala: This ritual offering to
Goddess Bhagavathy, is a preparation of rice, jaggery, coconut and plantains
cooked together in the temple premises.
Seeveli: A ceremonial procession
which denotes the conclusion of the morning and evening pooja (devotional rites)
in certain temples.
Thalappoli: A ceremonial procession,
around the temple, of maidens or women in traditional attire holding the thalam in
their hands. The thalam (usually a silver or brass plate) contains rice, flowers
and a lighted lamp - all of which symbolize prosperity.
Velichappadu / Komaram:
The oracle of a temple usually dressed in red and carrying a sword and shield.
Possessed by the spirit of the deity this ritual character dances in a frenzy at
times of festivals and other special occassions in devi temples.
Koothambalam:
Special hall in the
temple premises for ritual and art performances
Koothumadam: Stage specially erected
for certain ritual and art performances in the temple.
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